{"id":406,"date":"2016-11-21T09:35:58","date_gmt":"2016-11-21T09:35:58","guid":{"rendered":"http:\/\/kikkerinarayana.in\/?p=406"},"modified":"2016-11-21T10:26:22","modified_gmt":"2016-11-21T10:26:22","slug":"","status":"publish","type":"post","link":"http:\/\/kikkerinarayana.in\/?p=406","title":{"rendered":"Creative Arts in Modern India: Essays in Comparative Criticism Vol. 1"},"content":{"rendered":"
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Title:<\/td>\nCreative Arts in Modern India: Essays in Comparative Criticism Vol. 1<\/strong><\/td>\n<\/tr>\n
Ratan PARIMOO<\/u><\/a>, Indramohan SHARMA<\/u><\/a><\/td>\n<\/tr>\n
Description:<\/td>\nVolume one of a two-volume set that brings together papers from scholars on modern creative arts of India. The papers\u00a0were originally presented at the national seminar \u2018Comparative Aesthetics and Criticism of the Contemporary Arts,\u2019 organised by the Maharaja Sayajirao University of Baroda in 1991.<\/td>\n<\/tr>\n
Access Level:<\/td>\nOn-site<\/td>\n<\/tr>\n
Location Code:<\/td>\nREF.PAR3<\/td>\n<\/tr>\n
Language\/s:<\/td>\nEnglish<\/td>\n<\/tr>\n
Interrelationship of the Arts – Kapila VATSYAYAN<\/u><\/a><\/p>\n

Televising the Discovery of India<\/p>\n

Place of the Modern in Indian Cultural Practice – Geeta KAPUR<\/u><\/a><\/p>\n

Anthropology and Temporality: A Criticism of Theory and Discourse in the History of Anthropological Writing – Alexander HENN<\/u><\/a><\/p>\n

Modernism: An Intellectual History – Prafulla C. KAR<\/u><\/a><\/p>\n

A Conceptual Census of the Arts: A Note – Ashok R. KELKAR<\/u><\/a><\/p>\n

The Imperative to Evaluate: Note towards a genealogy – Tejaswini NIRANJANA<\/u><\/a><\/p>\n

The Indian Artist and the ‘Long Revolution’ – G.P. DESHPANDE<\/u><\/a><\/p>\n

The Viability of Comparative Aesthetics – Rekha JHANJI<\/u><\/a><\/p>\n

The Critical Literary Science: An introduction to its Method with a Reference to its Significance in the Indian Context – Niteen Gupte<\/u><\/a><\/p>\n

Contemporary Aesthetics and Criticism – Ashok RANADE<\/u><\/a><\/p>\n

Logistics and Aesthetics – D.D. MAHULKAR<\/u><\/a><\/p>\n

Art Object and Creative Leap – Ranjit Singh RANGILA<\/u><\/a><\/p>\n

Function of Literary Criticism in India – G.N. DEVI<\/u><\/a><\/p>\n

Decolonising the Indian Mind – Namvar Singh<\/u><\/a><\/p>\n

Why not Worship in the Nude?: Reflections of a Novelist in His Time – U.R. Anantha MURTHY<\/u><\/a><\/p>\n

Taking off from the Ground: Hindi Literature and Contemporary Art Problems – Jagdish SHIVPURI<\/u><\/a><\/p>\n

Transformation of a Legend: Shiv Kumar Batalvi’s ‘Luna’ – Parminder SINGH<\/u><\/a><\/p>\n

Turmoil Beneath Balance: Reflections on Two Dalit Autobiographies from Maharashtra – S.P. PUNALEKAR<\/u><\/a><\/p>\n

Dialogism and the Voice of the Dumb – Kikkeri NARAYAN<\/u><\/a><\/p>\n

The IPTA in Bengal – Malini BHATTACHARYA<\/u><\/a><\/p>\n

My Concept of Theatre – K.V. SUBBANNA<\/u><\/a><\/p>\n

Peter Brook’s ‘Mahabharata’: A View from India – Rustom BHARUCHA<\/u><\/a><\/p>\n

Punjabi Folk-Drama as a Discourse in Performance: Innuendo and Humour (A Perspective in Aesthetic Perception) – Ranjeet Singh BAJWA<\/u><\/a><\/p>\n

Dramatic and Theatrical Spaces – Hasmukh BARADI<\/u><\/a><\/p>\n

People’s Performances: A Perspective in Rural Communication – H.K. RANGANATH<\/u><\/a><\/td>\n<\/tr>\n

Publisher\/s:<\/td>\nBooks & Books , New Delhi, India<\/td>\n<\/tr>\n
Year of Publication:<\/td>\n1995<\/td>\n<\/tr>\n
No. of Pages:<\/td>\n348<\/td>\n<\/tr>\n
No. of Copies:<\/td>\n1<\/td>\n<\/tr>\n
Media Image:<\/td>\nCreative Arts in Modern India Vol. 1 – Cover<\/a><\/td>\n<\/tr>\n
Content Type\/s:<\/td>\nanthology<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n

Article Link:http:\/\/www.aaa.org.hk\/Collection\/Details\/47449<\/a><\/strong><\/p>\n

http:\/\/www.marymartin.com\/web\/selectedIndex?mEntry=8407<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Title: Creative Arts in Modern India: Essays in Comparative Criticism Vol. 1 Editor\/s: Ratan PARIMOO, Indramohan SHARMA Description: Volume one of a two-volume set that brings together papers from scholars on modern creative arts of India. The papers\u00a0were originally presented at the national seminar \u2018Comparative Aesthetics and Criticism of the Contemporary Arts,\u2019 organised by the Maharaja Sayajirao University of Baroda in 1991. Access Level: On-site Location Code: REF.PAR3 Language\/s: English Chapter Heading\/s: Interrelationship of the Arts – Kapila VATSYAYAN Televising…<\/p>\n

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