Televising the Discovery of India

Place of the Modern in Indian Cultural Practice – Geeta KAPUR

Anthropology and Temporality: A Criticism of Theory and Discourse in the History of Anthropological Writing – Alexander HENN

Modernism: An Intellectual History – Prafulla C. KAR

A Conceptual Census of the Arts: A Note – Ashok R. KELKAR

The Imperative to Evaluate: Note towards a genealogy – Tejaswini NIRANJANA

The Indian Artist and the ‘Long Revolution’ – G.P. DESHPANDE

The Viability of Comparative Aesthetics – Rekha JHANJI

The Critical Literary Science: An introduction to its Method with a Reference to its Significance in the Indian Context – Niteen Gupte

Contemporary Aesthetics and Criticism – Ashok RANADE

Logistics and Aesthetics – D.D. MAHULKAR

Art Object and Creative Leap – Ranjit Singh RANGILA

Function of Literary Criticism in India – G.N. DEVI

Decolonising the Indian Mind – Namvar Singh

Why not Worship in the Nude?: Reflections of a Novelist in His Time – U.R. Anantha MURTHY

Taking off from the Ground: Hindi Literature and Contemporary Art Problems – Jagdish SHIVPURI

Transformation of a Legend: Shiv Kumar Batalvi’s ‘Luna’ – Parminder SINGH

Turmoil Beneath Balance: Reflections on Two Dalit Autobiographies from Maharashtra – S.P. PUNALEKAR

Dialogism and the Voice of the Dumb – Kikkeri NARAYAN

The IPTA in Bengal – Malini BHATTACHARYA

My Concept of Theatre – K.V. SUBBANNA

Peter Brook’s ‘Mahabharata’: A View from India – Rustom BHARUCHA

Punjabi Folk-Drama as a Discourse in Performance: Innuendo and Humour (A Perspective in Aesthetic Perception) – Ranjeet Singh BAJWA

Dramatic and Theatrical Spaces – Hasmukh BARADI

People’s Performances: A Perspective in Rural Communication – H.K. RANGANATH